Almost a century ago and without the aid of any pixel-generating computer software, the itinerant photographer Arthur Mole (1889–1983) used his 11 x 14-inch view camera to stage a series of extraordinary mass photographic spectacles that choreographed living bodies into symbolic formations of religious and national community. In these mass ornaments, thousands of military troops and other groups were arranged artfully to form American patriotic symbols, emblems, and military insignia visible from a bird’s eye perspective. During World War I, these military formations came to serve as rallying points to support American involvement in the war and to ward off isolationist tendencies.
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