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Showing posts with label Digital. Show all posts
Showing posts with label Digital. Show all posts

Sunday, November 4, 2012

Robert Schlaug

Limited Area: Robert Schlaug:
Manipulated photographs by German photographer Robert Schlaug. Beautiful and cool contemporary photography.Manipulated photographs by German photographer Robert Schlaug. Beautiful and cool contemporary photography.Manipulated photographs by German photographer Robert Schlaug. Beautiful and cool contemporary photography.
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German photographer Robert Schlaug’s series Limited Area. Using digital manipulation, he drags pixels of color across (or, more often, up and down) to the edges, creating walls and cliff-like effects. Schlaug says he is interested in “Raising awareness in times of total sensory overload” as well as “Isolation or in distinct contrast to the surroundings—suddenly developed a unique form of language and suprisingly gets an aesthetic quality. The banal becomes the particular.”
via but does it float via this isnt happiness


via Collabcubed »

Friday, October 5, 2012

Michael Thielen

Michael Thielen, digital art:




Michael Thielen, digital art





Michael Thielen, digital art



Michael Thielen, digital art




Michael Thielen, digital art




Michael Thielen, digital art





Michael Thielen, digital art




Michael Thielen, digital art



Michael Thielen, digital art


Michael Thielen, digital art




Michael Thielen, digital art



Michael Thielen, digital art




Michael Thielen, digital art




Michael Thielen, digital art





Michael Thielen, digital art




Michael Thielen, digital art



“Born on Puget Sound, spent the first 20 years exploring taking all that beauty for granted. Milltown background. Laborer, sawmills, Bellingham Voc-Tech, welder. Burnley Art School, Print Industry, Spattering of commission work. Laborer, Gallery owner, artist, writer, working on my 4th Novel. Fvcc Graphic arts program. Would love to find someone to tackle editing my Novels or a least reading and critique.

Enjoy reading, all forms of creating, music, any kind. Enjoy the company of close friends and the pursuit of new ones.
I am preparing to launch a new business in the fall, early winter health permitting. A hybrid of sorts keeping my cards close to my chest until I’m up and running.”
Michael Thielen: facebook

via Ego-AlterEgo. The visual journey between good and evil in art. »

Monday, February 6, 2012

Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White:
Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Stunning 3D Mandelbulb Fractals by Daniel White

Here’s a set of stunning 3D Mandelbulb Fractals by Daniel White from Skytopia, a site dedicated to fractal imagery. A fractal is a “type of shape that yields (sometimes elaborate) detail forever, no matter how far you ‘zoom’ into it”. As can be seen, some amazing imagery can be built using this medium…

Via: designsoak.com


via Ego AlterEgo

Tuesday, October 18, 2011

Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne:
Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

Beauty and persona in slivered fragments by Amanda Clyne

“I begin my process by culling images from fashion magazines and art history books, intrigued by the similarities I see between contemporary fashion photography and historical portraits of society’s elite – images intended to fuel a spectacle of desire with feigned promises of intimacy and truth.

Cropping the image into a portrait, I re-print the image on to a surface to which the ink does not adhere, photographing the print as the fluid image morphs and dissolves over time. I then compose a new image from fragments of these photographs. I paint this final image as a large-scale painting, the shifting, slivered fragments offering yet denying the viewer resolution of a now elusive form.”

Amanda Clyne: website

Via: thisiscolossal.com