Deconstruction is a major part of my thought process in and out of the studio. Academically, I am pursing a study of art theory and criticism and I reward myself by writing about the problems and triumphs occurring in the art universe today as well as in the past—I thoroughly enjoy taking contemporary ideas into the past and considering things in new ways. In my writing I use theoretical frameworks to negotiate a more lucid and dynamic understanding of culture and how culture interacts with the visuality that permeates there.
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