Alexander Khokhlov: photodom
via Ego-AlterEgo. The visual journey between good and evil in art. »
Friday, September 21, 2012
Alexander Khokhlov
Love sees no color, photography by Alexander Khokhlov:
Alexander Khokhlov: photodom
via Ego-AlterEgo. The visual journey between good and evil in art. »
Alexander Khokhlov: photodom
via Ego-AlterEgo. The visual journey between good and evil in art. »
Thursday, September 20, 2012
Scott Gundersen
Wine cork art by Scott Gundersen:
“Trisha” is a portrait made of 3,621 used/recycled wine corks.
On top of a primed wood backing I created a graphite drawing of my friend Grace. 17,000 nails were shot through the back of the drawing so that I could have complete freedom in placing the 9,217 corks.
Scott Gundersen: behance / facebook
Via: designlov.com
“Trisha” is a portrait made of 3,621 used/recycled wine corks.
On top of a primed wood backing I created a graphite drawing of my friend Grace. 17,000 nails were shot through the back of the drawing so that I could have complete freedom in placing the 9,217 corks.
Scott Gundersen: behance / facebook
Via: designlov.com
via Ego-AlterEgo. The visual journey between good and evil in art. »
Wednesday, September 19, 2012
Tuesday, September 18, 2012
Manuel Ameztoy
Manuel Ameztoy:
A beautiful installation of cut textiles by Manuel Ameztoy. The work was installed at Faena Arts Center in Buenos Aires, Argentina.
via BOOOOOOOM! »
A beautiful installation of cut textiles by Manuel Ameztoy. The work was installed at Faena Arts Center in Buenos Aires, Argentina.
via BOOOOOOOM! »
Monday, September 17, 2012
Sunday, September 16, 2012
Fabio Costantino Macis
Fabio Costantino Macis, photography:
He grew up in Villacidro. At the age of 16 he got closer to photography. In 2009 he placed between the finalists on the National Assosiation Professional Photographers (TAU Visual) photo contest.
When he was 23 they selected his pictures for three exhibitions at the Ico Gallery of New York and the South Nevada Museum of Fine Arts of Las Vegas (SNMFA). In this circumstance he took part of the “Internationals Contemporary MAsters”, which is an encyclopedia of international contemporary artists published by the World Wide Art Books, which includes him in a second publication “International Dictionary of Artists”, too. The last exhibition abroud has been the collective art exhibition “Alice in Wonderland”, in Greece.
He worked in many fields like advertising, marketing, fashion, portraiture, graphic art, naturalistic reportage, and now he is moving along the theatrical reportage also.
What he loves is the possibility to create and to invent, thanks to a tematic-conceptual approach, works-situations which ideally tend to the interactivity, preferably towards social issues, also through the active multi-sensorial involvement of the public.
“Open Mental Hospital”, a national exhibition to which he contributed to with reguard to the conception, achievement and advert, has been the first place where he could apply the Interactive Performing Art thanks to “Love therapy” and “Legami”, two interactive performances.
Now he is acting in many fields, from visual art to art installations, from audio installations to video, from performances to interaction.
Interactivity, Serendipity, Conceptual, Co-Construction, Self destruction and Remodeling, Doubt and Research, these are the concepts which embrace his current artistic work.
Art and creativity became for him a medium aimed at the communication of intent and concept, without which art itself would became just an “empty box”.
Fabio Costantino Macis: website / flickr
He grew up in Villacidro. At the age of 16 he got closer to photography. In 2009 he placed between the finalists on the National Assosiation Professional Photographers (TAU Visual) photo contest.
When he was 23 they selected his pictures for three exhibitions at the Ico Gallery of New York and the South Nevada Museum of Fine Arts of Las Vegas (SNMFA). In this circumstance he took part of the “Internationals Contemporary MAsters”, which is an encyclopedia of international contemporary artists published by the World Wide Art Books, which includes him in a second publication “International Dictionary of Artists”, too. The last exhibition abroud has been the collective art exhibition “Alice in Wonderland”, in Greece.
He worked in many fields like advertising, marketing, fashion, portraiture, graphic art, naturalistic reportage, and now he is moving along the theatrical reportage also.
What he loves is the possibility to create and to invent, thanks to a tematic-conceptual approach, works-situations which ideally tend to the interactivity, preferably towards social issues, also through the active multi-sensorial involvement of the public.
“Open Mental Hospital”, a national exhibition to which he contributed to with reguard to the conception, achievement and advert, has been the first place where he could apply the Interactive Performing Art thanks to “Love therapy” and “Legami”, two interactive performances.
Now he is acting in many fields, from visual art to art installations, from audio installations to video, from performances to interaction.
Interactivity, Serendipity, Conceptual, Co-Construction, Self destruction and Remodeling, Doubt and Research, these are the concepts which embrace his current artistic work.
Art and creativity became for him a medium aimed at the communication of intent and concept, without which art itself would became just an “empty box”.
Fabio Costantino Macis: website / flickr
Thursday, August 23, 2012
Monday, August 20, 2012
Cameron R. Neilson
Straight Up: Cameron R. Neilson:
New York based photographer Cameron R. Neilson has photographed a collection of images with his camera leveled and pointed straight up. The series of photographs is aptly titled Straight Up. The abstract angles and shapes created by photographing city architecture this way is surprising and dramatic. Both recognizable and yet new. Though we tend to look up to some degree when walking city streets, ‘straight’ up is a less common angle. The concept for Straight Up started in NYC and has since grown to include cities across the country, and eventually Europe.
Straight Up will be exhibited at Openhouse, 379 Broome Street here in New York opening this Thursday, August 15th through August 22nd.
via Collabcubed »
Click to enlarge
New York based photographer Cameron R. Neilson has photographed a collection of images with his camera leveled and pointed straight up. The series of photographs is aptly titled Straight Up. The abstract angles and shapes created by photographing city architecture this way is surprising and dramatic. Both recognizable and yet new. Though we tend to look up to some degree when walking city streets, ‘straight’ up is a less common angle. The concept for Straight Up started in NYC and has since grown to include cities across the country, and eventually Europe.
Straight Up will be exhibited at Openhouse, 379 Broome Street here in New York opening this Thursday, August 15th through August 22nd.
via Collabcubed »
FreelandBuck
FreelandBuck: Slipstream:
New York and Los Angeles based architectural firm FreelandBuck, run by principals David Freeland and Brennan Buck, has created an installation currently on exhibit at the Bridge Gallery in NYC titled Slipstream.
via Collabcubed »
Click to enlarge
New York and Los Angeles based architectural firm FreelandBuck, run by principals David Freeland and Brennan Buck, has created an installation currently on exhibit at the Bridge Gallery in NYC titled Slipstream.
…Architects have used digital software to imbue structures and spaces with some of the same qualities as Da Vinci’s meticulous drawings: fluidity, undulation, instability and temporality. But while software has allowed architects to create novel, dynamic forms digitally, they have struggled to translate these qualities to the physicality of the material world. Slipstream is a physical structure that confronts that leap directly, translating a 2-dimensional digital line drawing into 3-dimensional space.
Alluding to Lebbeus Woods’ 2010 ‘Slipstreaming’ drawings of flow, the installation is a single drawing extruded through the gallery space and cut away to produce a set of interconnected spaces. The linear extrusion acts as both structure and dynamic visual filter, shifting views through the installation and between the spaces it defines. It’s integrity as a structure is masked by both its redundancy and bright coloration.
The exhibit runs through August 24th at the Bridge Gallery on Orchard Street.Photos courtesy of the architects; Carles Faus; and the Bridge Gallery.
via archdailyvia Collabcubed »
Sabine Ducasse
Sabine Ducasse: Melting Pot:
Perler beads—
Ducasse used the beads to create East-meets-West armor style fashion; a melting pot of cultures with a literal take on “melting”. These amazingly well-crafted pixelated design pieces won the designer a scholarship at the International Fashion Academy.
via kerrysoup/the creator’s project
via Collabcubed »
Click to enlarge
Perler beads—
Ducasse used the beads to create East-meets-West armor style fashion; a melting pot of cultures with a literal take on “melting”. These amazingly well-crafted pixelated design pieces won the designer a scholarship at the International Fashion Academy.
via kerrysoup/the creator’s project
via Collabcubed »
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